LDStorymakers 2014

I was so blessed to be able to go to LDStorymakers this year for the 3^rd time. I went, knowing a little bit more about what to expect and what I wanted to learn this year. I’ve been working on a project for a long time, about my grandparents. It means a lot, it is special to me and it’s my baby. The last little bit I’ve been frustrated, not wanting it to end, unsure if I was ready to be finished. Is it ready?

After a few classes the first day I realized that no, I wasn’t ready. I don’t want my first novel to be this one. Not only is it a family story, but it’s an amazing story. I want to know more about writing. I want it to be really good. So I decided by Friday afternoon knowing that I wasn’t going to write my Historical Fiction based on my grandparents. So as I continued going to classes, trying to think of what I wanted to learn. What project I was going to start working on and all of the sudden it just hit me! I knew what I want to write and work on. I am so excited and the ideas just keep coming.

The classes were all so amazing and I wanted to share a few quotes and other wonderful words that I learned while attending LDStorymakers.

Sarah Eden’s class, Dissecting Jane- I’m not much of a Romance reader, but I just finished the book Edenbrooke and was enthralled in the story. I’ve only read a couple of Jane Austen books… I know, she’s amazing, don’t hurt me. I do think she is amazing, but I really started reading a lot about five years ago and there are a lot of books out there to read. I am slowly getting to them. We talked about Jane’s style and a little bit about her experience in getting her work published. She couldn’t have her name on the books. Her first three books were successful, but her fourth was not. She had to pay back the money from her failed fourth book, by using money she made from her other three books. She never made any money while alive from those books. It took her ten years to get the rights to that book back. She never saw the wonderful success that she became. Sarah said, “…but Jane still wrote. Because she liked it.” I loved that. Do we write because we want to be rich and famous? I write because I have stories clogging my brain, I want to inspire just one person and I love it.

Julie Berry taught Secondary Characters- She talked about the importance of creating believable and deep secondary characters. How boring would a book be we only explored the main character? She said, “Treat the secondary characters as though they were main characters. Good writers use minor characters well.” I love that. Those characters help the story and help us get to know the main character. Ernest Hemingway said, “Now watch one thing. Don’t let yourself slip and get any perfect characters in… Keep them people, people, people and don’t let them get to be symbols.”

Lisa Mangum’s class, Making your Manuscript Sing- We talked about the difference between voice and style. She compared it to a song, the voice is the lyrics and the style is the melody. She played the song by Twisted Sister and then she played the same song in a softer version of the song. She asked who we believed more. Of course the answer was Twisted Sister. They were using emotion that matched the words. I loved this quote by Donald Mass, “To set your voice free, set your words free, set your characters free. Most important, set your heart free. It is from the unknowable shadows of your subconscious that your stories will find their drive and from which they will draw their meaning. No one can loan that or teach you that. Your voice is yourself in the story.” I really truly loved that quote. You become your characters and you use your own emotions in your story.

There were so many more amazing classes, but I would go on forever if I shared them all. I had a great experience. I feel inspired and also as though my mind might explode, in a wonderful way. The conference ended on such a high note, with a few cracks about the Keynote address. (if you want to know check out the talk on Twitter by using the hashtag #storymakers14. But my eyes welled up when they showed this video at closing. I had never seen it before, but it was wonderful. CLICK HERE to see it.

Change your words, change your world.

My Review: A Timeless Romance Anthology: Winter Collection

About the book: Six Award-Winning Authors have contributed brand new stories to A Timeless Romance Anthology: Winter Collection. A collection unlike any other, readers will love this compilation of six sweet historical romance novellas, set in varying eras, yet all with one thing in common: Romance.

The Road to Cavan Town by Sarah M. Eden, set in 1864 Ireland, combines Eden’s sense of humor with her signature sweet romance. Alice Wheatley walks each weekend into town, accompanied by Isaac Dancy. And while Alice finds herself falling in love with the gentleman, unfortunately he has his eyes set on the belle of the town, Miss Sophia Kilchrest. Alice must find a way to turn Isaac’s eyes toward her.

Regency author Heidi Ashworth’s delightful story, It Happened Twelfth Night, set in England 1812, follows Luisa Darlington who discovers the man of her dreams, Percy Brooksby, isn’t in love with her as much as she thought he was. When Percy’s friend, the mysterious foreigner, Mr. Flynn, visits for the twelfth night holiday, he promptly sweeps Luisa off her feet, quite literally. Luisa is left catching her breath in more ways than one.

An Unexpected Proposal by Annette Lyon is a captivating romantic novella, set in remote Wood Camp, the snowy canyon of Logan, Utah, 1880. When Caroline Simpson is forced to thwart the aggressive advances of Mr. Butch Larson, she discovers that her long-time friend, James, has genuine affection for her. But as stubborn as Caroline is, she minimizes the feelings he’s awakened in her, and it takes almost losing James to admit her true feelings for him.

In Joyce DiPastena’s charming medieval story, Caroles on the Green, we enter England of 1151, in which Lady Isabel has a dilemma. She promises herself that she’ll marry the man who sent a ring hidden in her pastry since the man she truly loves, Sir Lucian de Warrene, has proved to be impossible and exasperating. To forget him, Isabel sets her eyes on other eligible men, only to face another confrontation with Lucian—who isn’t about to back off and leave her to her newest plot.

Donna Hatch’s enchanting novella, A Winter’s Knight, begins when Clarissa Fairchild’s coach just happens to break down in front of the most forbidding estate in the county, that of Wyckburg Castle, a place where young brides have been murdered for generations by their husbands. Clarissa is horrified yet curious all in the same breath. When she meets widower Christopher de Champs, Earl of Wyckburg, she must decide if she should flee or uncover the greatest secret in the county about her handsome rescuer.

In Heather B. Moore’s exciting turn-of-the-century story, A Fortunate Exile, Lila Townsend finds herself the victim of a broken heart—broken by the most notorious bachelor in 1901 New York City. If that isn’t bad enough, her father sends her to Aunt Eugenia’s remote farm where Lila must wait for her father’s anger to subside and the gossip columns to find new fodder. When Lila meets her aunt’s boarder, Peter Weathers, she discovers a man who isn’t afraid to stand up to her formidable family and take a chance on a woman with a sullied reputation.

My thoughts? Simply perfect. If you're looking for some clean romance that just might get your heart racing, look no further. Each story was masterfully crafted--each author should be commended. This one is definitely worth your time. I only wish it was longer!

"The Kiss of a Stranger" by Sarah M. Eden

 I just read my friend, Sarah M. Eden's kindle edition of "The Kiss of a Stranger".  As you can see from her book trailer above it is  a regency romance and Sarah's books are always so wonderful.  They just carry me away in the story and I love them.  She originally started out by self-publishing.  Her road to publishing with Covenant is interesting and I thought you would all love to hear more about her, so I interviewed her for our blog.  Everyone, meet Sarah!

1.  What started you writing?
Most authors would answer that question with something along the lines of "I have always wanted to be a writer." Guess what? I'm not most writers. Even compared to writers, I'm strange--and that's saying something.

As a child, I never answered the "What do you want to be when you grow up?" question with "An historical romance novelist." In fact--now brace yourself--I didn't even like to read. Yeah. You read that right. I didn't like to read. (But that's a whole blog post in and of itself.)

Fast forward many, many years. I was at my mother's house one day talking about books and I went off on one of my rants about the frustrating lack of good, quality, morally-sound romance novels available. I'm pretty sure I didn't stop for breath for at least 15 minutes. My mom pulled out one of those motherly-nuggets-of-wisdom for which moms are so well known.

"Why don't you try writing your own?" she suggested.

At first the idea seemed ridiculous, but it wouldn't leave my mind. After months and months of reading about writing, fleshing out a plot idea, working on characters, and trying my hand at writing a novel, I presented my mom with a bound copy of my first completed manuscript. I could tell by the shocked look on her face that she hadn't realized I'd taken her off-hand suggestion seriously.

I discovered a few things during that endeavor: 1-I had a lot to learn about writing. 2-I loved writing romance. LOVED it.

I've been hooked ever since.

2.  Do you only write in one genre?
Nope. I have manuscripts in various stages of completion in everything from contemporary romance to chick lit to YA fantasy. Some of these are pretty horrible, some aren't bad. There are even a few that I think have some pretty great potential.

The problem most authors will run into when trying out a new genre is that they forget who they are as an author. Let me explain.

I received a great bit of advice not long ago: "You need to figure out what you most like to read and what you're best at writing. Where those two things come together is where you need to be as an author."

I love romance. It doesn't matter what genre I'm reading, the romance is always what stands out and grabs me. So it makes sense that when I try my hand at something outside of the romance genre that I keep it a romance underneath. If I'm going to write a fantasy, it needs to be a romantic fantasy. If I write a chick lit, it needs to have a strong romantic subplot.  That makes sense, right? I didn't always get that. So many of my forays into other genres fell apart because I overlooked the fact that I needed to be writing something that was a romance at heart.

One of my strengths as an author is humor and quirky characters. If I try to write a manuscript that is 90% drama and conventional characters, chances are it's going to fall flat. That's just not who I am as an author. Once I allow my characters have unique voices and humorous views on life, the writing improves by leaps and bounds.

Would I encourage authors to try different genres? Certainly. But figure out where you fit in that genre. Don't try to be a different author simply because he or she is successful. Be yourself. You might discover that while you enjoy reading a particular genre, you aren't any good at writing it--or maybe you just don't like writing it. Give it a chance, you might learn a lot about yourself.

3.  How many books have you written?
I have 11 historical romances under my belt as well as a whole handful of manuscripts in various stages of completion. I also have a fantastically gripping 6-page book I wrote in Kindergarten that I am pretty sure will someday be a bestseller.

4.  Tell us a little bit about your books.
I write quirky romances set in early 19th-Century England--the time of Jane Austen, Napoleon, Mad King George. I have extensively researched the time period and worked hard to give them the right "feel" without making them too heavily historical for a modern reader to enjoy.

5.  Tell us about your journey to publishing with Covenant.
I began as a self-published author. Sadly, there is not a lot of call for "clean" romance on a national level. So, I opted to self-publish while I searched out a publisher that might be interested.
My novel, "Seeking Persephone" was named a finalist for a 2008 Whitney Award for Best Romance. As a result of that, I met several fantastic people, including Annette Lyon. She took an interest in me and my books and encouraged me to approach Covenant. So I submitted an unpublished manuscript and, as they say, the rest is history.

6.  How is it different from Self-Publishing.
With self-publishing, the author has complete control over everything: content, cover design, packaging, marketing. Sounds great, right? Not always.
    •    A traditional publisher would provide (free of charge): professional content editing, line editing, copy editing, cover design, type setting, advertising, marketing.
    •    A self-published author has to either do all those things themselves or pay for them to be done by a professional. It's tempting to save the money and design your own cover, but it generally looks like a self-published cover. Ditto with not having the books edited--errors will be left in that mark it as a novel that was not very thoroughly edited.
Of course, a self-published author keeps a much higher percentage of profits. Provided a self-published author has the drive, contacts, time, money, etc. to invest in marketing their book and can sell anywhere close to the number of books a traditional publisher can, this can be a benefit. The advent of ebooks increases to some degree the chances of a self-published author selling more books. I am very intrigued to see where this new area of the industry will take books in the future.
For some authors, self-publishing is a good option. For me, it wasn't where I wanted to be as an author. I'm not a marketer. I'm not a business woman. I knew without a doubt I could never get the exposure that a publisher, even a small regional one, could manage. So self-publishing just wasn't a good fit.
(To learn more from Sarah about Self-publishing versus traditional publishing, click here.)

7.  What tips would you give to writers trying to get published?
Study the craft. That's absolutely first. No amount of querying or following market trends will make up for sub-par writing. Read everything you can get your hands on--both fiction in your genre and how-to books on writing. Attend writers conferences--they are invaluable sources of information.
Get a critique group. You need to have other writers who are willing and able to give an honest, accurate and helpful critique of your work. Writers have to have that feedback--it's essential. You also need writers around to buoy you up when you're frustrated and pat you on the back when things are going well.
Get to know others in the industry. Follow the blogs, tweets, etc. of agents, authors, book reviewers. Subscribe to Writers Digest. Network at conferences. This will help you keep your thumb on the pulse of the publishing world as well as pick up valuable insights and tips.
Make sure you're doing it for the right reasons. If you love to write, keep writing. If you're in it for the money, you won't last. This industry is tough, sometimes even brutal. You have to love what you're doing to endure dozens of rejections (because that's what it takes to get an agent, not to mention all the rejections that come afterward from publishers), bad reviews, sour grapes (yes, some authors aren't as nice as they should be), disappointments, etc. Sure, there are some great moments as a writer, but you need to love it, or even those highlights won't be enough.
Wow. That sounded so philosophical.

8.  Do Cheetos really give you super powers?
Absolutely. They also give you orange fingers. Both are fabulous.
I recommend keeping a bag within arms reach at all times.