When I write, there are times when I like it serenely
quiet. There’s nothing wrong with this
as I’m sure some of the greatest works of literature were penned (or typed or
dictated or…) by the side of a placid lake, the edge of breezy beachhead, or in
the quiet introspection of one’s writing ‘place’. There are times when I need it to be
void-of-space quiet, lest the least bit of distraction ruin a perfectly good
train-of-thought and make me reconsider my recent self-diagnosis (based upon a
somewhat reliable website) of adult ADD.
There are other times, though, when there is a need to pop on
the headphones (ear buds, et al) and surrender my creative processes to a
higher plane of melodic-inspired musings.
In fact, I’m going to recommend that, as often as possible, authors make
it a practice to write with music. To
take this a step further, I’m going to recommend that the music you choose to
have playing as you write fit within a certain criteria, and not merely be a
collection of our favorite techno dance songs from twenty years ago. There’s actually a bit of good research out
there pointing to music being an intellectually healthy addition to our
creative endeavors.
Music is one of only a few activities that exercise both
hemispheres of the brain; and, if you happen to have played an instrument (or
still do and haven’t hidden your talents under bushels like I have), you have
huge advantages in your cognitive ability, critical thinking, and verbal (i.e.
writing) skills. Based upon a study of nursing
students at Texas Woman’s University, the application of music to learning or
creating non-music related topics (so in this case…writing) were obvious, the advantages being that the use of music
improved motivation, concentration, reasoning, confidence and self-efficacy. In other words, we feel like writing, we
write like a marathoner, our writing makes sense to others (Obviously it makes
sense to us. Duh!), we believe strongly that our final product will sell, and
even if it doesn’t go ‘Top 10’, we still believe in our future potential.
But what kind of
music is responsible for this leap in creativity? My high school Chemistry teacher played
baroque music during exams, claiming that it helped the brain with recall. It might have, but it was so relaxing that it
usually only helped my brain take a snooze.
I’ve reviewed education journal articles that trumpeted Mozart; human
resource journals promoting the group-think music selection as the golden
path; and of course, the religious admonition to ‘just sing a hymn’ if the mind
wanders.
May I suggest a more umbrella solution that incorporates all
of the above and none of the above.
What? (He’s lost it…He should relax and listen to Mozart.) What I mean is that it does not matter what
music is chosen so long as it meets two important criteria: 1) There must
be modality. There must be interplay between traditional
and irregular scales with resolution; light versus dark; good versus bad. 2) If
there are lyrics, they must be
conducive to the Spirit.
There aren’t a lot of things in life where a person can say
‘I know’ or ‘I guarantee’, but this is one of them for me. I know that there are harmonics in a lot of
great music that resonate with our soul, which thereby achieves the modal
interplay that exists at a higher plain of existence and which can unlock a
higher level of inspiration and creativity; and, if we sup at the table of lyrics that can
comfortably meet a Christ-centered focus (could be regarding the physical world
or universe; could be about emotions associated with the Savior; could be about
anything that is true and good), then I can promise that our level of inspired
authorship will rise and improve. We
will feel it when we are in
sync. It’s tangible. It’s delightful. It’s delicious.
So, take some time and go through your collection of CDs and
playlists. Sample everything. Add more if you need to do so. Make a ‘writing music playlist’ or mix
CD. It will probably span the range of
genres, and so long as it meets the modality and lyrics template, you’ve
probably got a winner.
I have no cd's left Tim talked me into getting rid of them years ago and I had something like 400 cd's
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