Ah, the romantic and intriguing Byronic hero. Girls swoon
over him and guys aspire to be like him. Who can resist the dark, brooding character that
hides in the shadows? Modern literature and pop culture are littered with
examples:
Batman,
(Dark
Knight)
Edward Cullen,
(Twilight)
James Bond,
(007)
Han Solo,
(Star
Wars)
Captain Jack Sparrow,
(Pirates
of the Caribbean)
Severus Snape
(Harry
Potter)
and, for you anime fans, Edward Elric.
(Fullmetal
Alchemist)
Why are we so drawn into these characters struggles? Why
does our attention and hearts bond to them whenever they walk across our pages
or our screens? Let’s go back to the beginning and look at what a Byronic hero
consists of.
The Byronic hero, while still the antagonist of the story,
is the antithesis of what we consider a hero to be. Their characteristics are not exactly
admirable, yet if well done, the reader likes them anyway. There are several traits,
mostly unattractive, that these dark heroes share:
- Intelligent
- Cunning
- Ruthless
- Arrogant
- Depressive
- Violent
- Self-aware
- Emotionally and intellectually tortured
- Traumatized
- Highly emotional
- Manipulative
- Self-serving
- Spiritually doubtful
- Often reckless or suicidal
- Prone to bursts of anger
- Decidedly prone to substance abuse
- Dedicated to pursuing matters of justice over matters of legality
- Given to self-destructive impulses (study.com)
Take Edward Elric for example. The
series Fullmetal Alchemist is
centered on the science of alchemy. (Remember this is all fantasy and this
stuff doesn’t really exist.) The
number one rule in alchemy is that you cannot create something from nothing,
meaning that things don’t just appear out of thin air. Alchemists can break
apart materials using their powers and reassemble said materials into something
else, but there is always an equivalent exchange. Most alchemists use a chalk
drawing on the ground in order to channel their powers, but the Elric brothers
are different. When they were only ten and nine, they committed the Great
Taboo: they tried to bring someone back from the dead using alchemy. In a
desperate attempt to regain their beloved mother, the two brothers learned the
law of equivalent exchange the hard way. Edward lost the lower part of one of
his legs, and Alphonse lost everything: body and soul. Seeing what he had done,
Ed dragged his bloody body to a suit of armor and bound his brother’s soul to
it, in exchange for his right arm. (Again, all fantasy.)
Alphonse, waking up as a suit of armor and seeing a
mutilated Ed, saves his older brother by taking him to a nearby neighbor. For
the rest of the series, Edward struggles with the fact that it was his fault
his brother has to live life as a bodiless suit of armor. Edward gets outfitted
with a metal arm and leg and he has such a strong will and sense of
determination, he makes a full recovery after just one year instead of the
projected three. Edward and Alphonse
start working for the government as State Alchemists in order to have access to
restricted materials they would otherwise not have. Taking the weight of the
brothers’ mistake on his shoulders, Edward leads the way to finding a way to
get their bodies back.
At the age of fifteen, Edward has literally been through
hell and back. He isn’t perfect. He makes plenty of mistakes, and gets beaten
to a pulp on multiple occasions, but he is clever enough to win the battle in
the end, or at least escape to fight another day. He is quick to anger and
often broods about his past mistakes. There is a moment when his childhood
friend starts to cry after seeing a secret scrawled message. When Edward asks
why she is crying, she says, “Because you won’t cry. Someone has to.”
I think part of the reason we connect so well to Byronic
characters is because we can relate to them. Unlike the usual hero in fantasy
or romantic fiction, these tortured heroes are in no way perfect. They make
mistakes, and they suffer for those mistakes. They get knocked down again and
again, only to get right back up. They fight, not because it’s the right thing
to do, but because they believe in the fight. Really, they don’t even want to
be the hero, but there is no one else who can do what they can do.
Also, Byronic heroes are incredibly complex to create. There
is a skill to making a character dark and brooding without coming off as whiny
and self-absorbed. There have been series where one of the main characters is
supposed to be a Byronic hero, but he has no redeeming qualities. Just a piece
of advice, if you are going to purposely make someone unlikable, he has to have
something to make the audience
connect to him/her.
I love reading about Byronic heroes. There is something
about seeing someone fight and claw toward a goal that is inspirational. We all
have struggles, but in order to reach our goal, we have to keep pushing. It’s
never going to be easy, and there will be set backs, but with perseverance, any
dream can come true.
Below is a clip from Fullmetal
Alchemist. It’s a bit of a spoiler, so if you plan on reading/watching the
series, just skip to the end of this post. Or if you don’t mind, keep reading.
*SPOILER ALERT*
Ok, so you’re still reading. You have been warned…
Ok, so you’re still reading. You have been warned…
In this scene, Edward has gone through the Door of Truth for a second time where he finds his brother, Alphonse’s emancipated, yet alive, body. It shows that there is still hope for the two brothers to return to normal. Near the end of the clip, through sheer stubbornness, Edward fights against the little hands of Truth that are pulling him back to reality to make a fierce promise to his brother.
Looking at this from an outsider it may seem cheesy, but trust me, this scene is a tear jerker.
*END OF SPOILER*
So what other Byronic heroes can you think of? What do you
think makes us love the dark hero? Also, do you think a Byronic hero could ever
be a female protagonist? I look forward to reading your comments!