by Katy White
I'm not an expert on many things, but there are a few things I know more about than most. One is chocolate chip cookies. I know what you're thinking: you have the greatest chocolate chip cookie recipe in the world. I respect your belief and your taste-buds too much to contradict you. But I kind of also need to be the judge of that. (Seriously, I would LOVE to be the judge of that. Send me your recipes!)
I also know about silly things like what a French accent really sounds like or typical bank protocol in case of a robbery. So when I see a movie with a bank heist and I can spot a half dozen problems right off the bat, it drives me crazy. Though not as crazy as hearing an actor butcher an accent when the director could just cast a talented actor from the country, for heaven's sake. Ugh.
I'm sure you've had a similar experience where you've watched or read something you know a lot about, just to get frustrated and stop watching when you find inconsistencies or flat-out impossibilities. It's super annoying, isn't it? And it comes from writers not writing what they know.
We've all heard that advice, to write what we know. If you're like me, you've scratched your head and wondered what that means for you as a writer. By this logic, I should stick to writing about being a freckle-faced redhead from Canada. I should write about coming from a blended family or being a business woman or a wife or a mom. I should write about having oatmeal on my clothes All. The. Time.
Unfortunately, I write YA, and few of the topics "I know" appeal to me as a writer (though my characters always have freckles). So how can I write what I know if I don't want to write what I know?
Because that laundry list of facts isn't all I know. I also know about loss and heartache and having your whole world ripped apart and put back together in a completely foreign way. I know about mourning and longing. I know about hope and joy. I know how it feels to be rejected. I know how it feels to be truly, unconditionally loved. I know about experiencing a pain that I swear would last a lifetime (and, indeed, seemed to). I know how time and the love of my Savior can heal even the most grievous of wounds.
Writing is hard, and writing what you don't know can take an almost laughable amount of research. But just because you've never worked in a restaurant, doesn't mean you can't write a story that takes place in one. It just means you have to do your research, and it'll likely be a longer, harder process than it would be for someone with a lot of restaurant experience. But who cares? With research, you can fake a lot of stuff. It's not like Tolkien had been shot by an arrow, right?
But, boy, he faked it. Poor Boromir.
What you can't fake, though, is emotion. While that doesn't mean you have to stick to the exact type of loss that you know, it does mean that you can't cheat and use the breakup of your high school boyfriend to create the emotions of a husband of 20 years losing his wife to a long battle with cancer.
No matter your occupation or personal history, or your setting or the age of your characters, write what you want to write. But when you're dealing with emotions, dig deep, and write what you know. Write what you feel.
Do you have any advice about "writing what you know"...or a delicious cookie recipe? ;) Please, sound off in the comments below!